设计将音乐学校与音乐厅合并为一个整体，其开放的结构能够加深艺术家与观众，老师与学生的交流。建筑的理念能从建筑的外形体量观看到，音乐学校拥抱着音乐厅，蓝天组主持建筑师Wolf D. Prix如是说。最核心的音乐厅可以容纳1300人，排练室和培训室呈U型围绕在音乐厅旁。一个宽敞的门厅联系两者，并充当一个文化交流的峡湾。观众可以在门厅中三个具有层次的辅助空间通过观察窗观看音乐厅的前厅与排练室，了解和体验音乐活动的组织和编排。
This cultural centre was designed by the Viennese architectural studio Coop Himmelb(l)au as a combined school and concert hall: its open structure promotes the exchange between the audience and artists, and the students and teachers. “The idea behind the building can already be read from the outer shape. The school embraces the concert hall,” explained Wolf D. Prix, design principal and CEO of Coop Himmelb(l)au.
U-shaped rehearsal and training rooms are arranged around the core of the ensemble, a concert hall for about 1,300 visitors. A generous foyer connects these spaces and opens out with a multi-storey window area onto an adjacent cultural space and a fjord. Under the foyer, three more rooms of various sizes complement the space: the intimate hall, the rhythmic hall, and the classic hall. Through multiple observation windows, students and visitors can look into the concert hall from the foyer and the practice rooms and experience the musical events, including concerts
and rehearsals.
音乐厅内部流动曲线形式与音乐厅本身立方体量形成鲜明对比。建筑师与Arup工程的Tateo Nakajima合作，通过严谨的设计为观众们提供最佳的声学效果与观看效果。天花板上石膏的定位由声学专家经过复杂的声学计算而得出，确保最佳的声音效果。这个音乐厅是欧洲噪声级最小的音乐厅之一。由于其建筑和声学品质，音乐厅的活动早已被预定，在2014年的四月，人们可以欣赏到英国皇家爱乐乐团与小提琴演奏家 Arabella Steinbacher的演出，以及丹麦国家交响乐团与女高音歌唱家Mojca Erdmann在的表演。
The concert hall
The flowing shapes and curves of the auditorium inside stand in contrast to the strict, cubic outer shape. The seats in the orchestra and curved balconies are arranged in such a way that offers the best possible acoustics and views of the stage. The highly complex acoustic concept was developed in collaboration with Tateo Nakajima at Arup. The design of the amorphous plaster structures on the walls and the height-adjustable ceiling suspensions, based on the exact calculations of the specialist in acoustics, ensures for the optimal listening experience. The concert hall will be one of the quietest spaces for symphonic music in Europe, with a noise-level reduction of NR10 (GK10). Thanks to its architectural and acoustic quality, the concert hall is already well-booked: there will be concerts featuring the Royal Philharmonic Orchestra with violin soloist Arabella Steinbacher and the Danish National Radio Orchestra with soprano Mojca Erdmann in April.
门厅是一个能够汇聚学生，艺术家，老师，游客的聚会场所。五层高楼梯上阳台能够欣赏到峡湾风景。这里是一个充满活力动感，能举行各种活动的空间。
The foyer
The foyer serves as a meeting place for students, artists, teachers, and visitors. Five stories high with stairs, observation balconies, and large windows with views of the fjord, it is a lively, dynamic space that can be used for a wide variety of activities.
For Wolf D. Prix, the “House of Music” is a symbol of the unity between music and architecture: “Music is the art of striking a chord in people directly. Like the body of musical instruments this architecture serves as a resonance body for the creativity in the House of Music.”
门厅能利用高度进行自然热交换通风。楼板埋设水管为夏季制冷和冬季制暖。音乐厅周围的建筑可以看做是混凝土热储能体。音乐厅配置高效的热交换器。空气在天花照明层快速流通，带走照明所产生的热量，确保房间温度不因照明而上升。建筑内的设备只有通过激活才进行工作。确保能耗消耗达到最小。
The energy concept
Instead of fans, the foyer uses the natural thermal buoyancy in the large vertical space for ventilation. Water-filled hypocaust pipes in the concrete floor slab are used for cooling in summer and heating in winter. The concrete walls around the concert hall act as an additional storagecapacity for thermal energy. The fjord is also used for cost-free cooling.
The piping and air vents are equipped with highly efficient rotating heat exchangers. Very efficient ventilation systems with low air velocities are attached under the seats in the concert hall.
Air is extracted through a ceiling grid above the lighting system so that any heat produced does not cause a rise in the temperature in the room.The building is equipped with a building management program that controls the equipment in the building and ensures that no system is active when there is no need for it. In this way, energy consumption is minimized.
HOUSE OF MUSIC II PROJEKT TEAM
Client: North Jutland House of Music Foundation, Aalborg, Denmark
Planning: COOP HIMMELB(L)AU, Wolf D. Prix & Partner ZT GmbH
Design Principal/ CEO: Wolf D. Prix
Project Partner: Michael Volk
Design Architect: Luzie Giencke
Project Architect: Marcelo Bernardi, Pete Rose
Design Architect Interior: Eva Wolf
CAD-Koordinator: Ronny B?ser, Benjamin Schmidt
Projektteam: Markus Baumann, Wendy Fok, Robin Heather, Ivana Jug, Ariane Marx, Anja Sorger, Bo Stjerne Thomsen, Anna Wasserthal,
Philip Wilck
Blaine Lepp, Talya Kozminsky, Hannes Walzl, Morten Grau Jensen, Stephanie Neufeld, Tyler Bornstein, Laura Githa, Julia G?rtner, Jenny
Draxlbauer
3D Visualisierung: Armin Hess/ Isochrom, Vienna; Silkroad, Beijing, China;
Jens Mehlan, J?rg Hugo
Local Architects: Friis & Moltke, Aalborg, Denmark
Acoustics, Audio-Visual & Theatre Design and Planning Consultant: Arup, New York, USA
Landscape Architect: Jeppe Aagaard Andersen, Helsing?r, Denmark
Structural Engineering: Ramb?ll, Aalborg, Denmark;
B+G Ingenieure, Bollinger und Grohmann GmbH, Frankfurt, Germany
Mechanical, Electrical and Fire Engineering: Nirás, Aalborg, Denmark
Cost consultant: Davis Langdon LLP, London, UK
Lighting Design Consultant: Har Hollands, Eindhoven, The Netherlands
Interior Design Consultant: Eichinger Offices, Vienna, Austria
PROJECT DATA
Net floor area: 17.637 m2
Gross floor area: 20.257 m2
Concert hall: 1.298 Sitzpl?tze
CHRONOLOGY
Competition (1st place): 2003
Layout planning HoM I: 2003-2005
Postponement of the project: 2006-2007
Start of layout planning HoM II: 2008
Start of construction HoM II: 2010
Completion HoM II: 2014
Photo ? Rene Jeppesen & Martin Schubert & Aleksandra Pawloff & COOP HIMMELB(L)AU & ISOCHROM.com, Vienna
项目来源: COOP HIMMELB(L)AU
